Dubliners and The Love Song of J. Alfred Prufrock :: essays papers

Dubliners and The have sex vociferation of J. Alfred PrufrockSeveral of Joyces stories in Dubliners commode read as lamentations. Theyare showing the frustrated inability of humanity to re march meaning byexternal means, including written word. When characters in Araby,and A agonising Case attempt to represent or signify themselves, oppositecharacters or abstract spiritual entities with or through words, they non but fail, but end up emotionally ruined. In T.S. Eliots poem, The Love Song of J. Alfred Prufrock, the feeling relates to oneoverall issue of emotional investment in representation. The poemlaments, and with this theme and the symbols used, it is signifiedenough to be related to Joyces short stories in Dubliners.The name of the story itself and the bazaar-within-the-story,Araby is the most crucial reject of misdirected concentrationand sought signification. The boy explains, The symbols ofthe word Araby were called to me through the silence in whichmy soul luxur iated and cast on eastern enchantment over me.Joyce emphasizes the clump properties- syllables of theword- thus granting Araby a kind of physical, phoneticimportance beyond its external meaning. The narrator goes onto describe Araby as the magical name. end-to-end the assemble, the title-word Araby disp discharges itself as a guidingmetaphor. The name of the poem by T.S. Eliot, The Love Songof J. Alfred Prufrock is a misdirected concentration that issignificant. The title is very ironic. The irony is presentwith the reader expecting the theme of love, but clashing thatidea with the boring and ironic name of J. Alfred Prufrock. Thepoem goes on to describe the journey as one, not of romantic,heartfelt, or brotherly love, but of one story offrustration.A Painful Case, demonstrates a more complicated signifyingcondition. Early in the story, Joyce describes a piece ofliterature by emphasizing its formal properties, not itscontent. In the desk lay a manuscript translation ofHa uptmanns Michael Kramer, the stage directions of which werewritten in a purple, and a little sheaf of papers held togetherby a brass dip. The conspicuous purple ink and brass pinhighlight the graphic qualities of Duffys volume. Joyce goeson to describe Duffys special(a) treatment of the manuscript, againemphasizing actions. In these sheets a sentence was inscribesfrom cadence to time and, in an ironical moment, the headline ofan advertisement for Bile Beans had been paste on the firstsheet. The infrequency of Duffys inscription and his ironic panorama toward the physical text are made clear.