'Area of Study – The Outsider Essay\r'

'How have the texts encountered in your studies enriched your collar of The noncitizen? â€Å"You weary’t get to 500 million friends without qualification a few enemies. ” An foreigner is interpreted as someone who separates themselves from the rest of the night club, intentionally or unintentionally. Sometimes, it is this outlander’s insecurities or physical appearance that contributes to this operator of their ‘isolation’.\r\nThe play Othello by William Shakespeare and the 2010 film The amicable Network directed by David Fincher are determinate in portraying and analysing a signifi backsidet outsider or group of outsiders by dint of literary and cinematic devices, which enrich my understanding of this belief, later used to my benefit, exhibit through my visual representation.\r\nWritten by the celebrated English playwright William Shakespeare circa 1603, Othello explores the idea of ‘The Outsider’ through the two significa nt notions that enriched my understanding †insecurities and physical appearances, twain of which are used to advantage and disadvantage the reference points in the play. Othello is immediately introduced as the titular melanise full general and the Moor of Venice, who has overcome racial prejudice to sacrifice a renowned position in society and a marriage to a beautiful novel woman, Desdemona, the senator’s daughter.\r\nThe metaphor in the line, â€Å"… an old black ram is tupping at your white ewe… ” indicates a wiz of hostility that the other members of society have against Othello, victimisation physical appearance and racist slurs to eatplay the general, the mass of these comments universe made by Iago, Othello’s advisor. Iago could be seen as an outsider in the play, but uses this sign to his advantage, being desperate for power and authority; he raises Othello’s suspicions about his wife’s fidelity.\r\nIago is in care manner known for foreshadowing events, as seen in the prosopopoeia used in the line, â€Å"O beware, my lord, of jealousy; it is the overjealous monster which doth mock the meat it feeds on… ” apocalyptical of Othello’s future actions in the play. Othello, oblivious to Iago’s exploitations, undermines himself- an insecurity- seen in the pitiful tone, â€Å"Haply for I am black, and have not those soft parts of parley that chamberers have… ” evident of his lack of self worth(predicate) and vulnerability to issues relevant to his blazon or race, enhancing my lore of The Outsider.\r\nThe 2010 American film The Social Network- written by Aaron Sorkin and directed by David Fincher, strongly delves into the concept and deepens my understanding of the Outsider from the beginning. The protagonist, ascertain Zuckerberg, like Othello, is instantly presented as a character who does not wish to move with society directly and uses social ne tworking to express his opinions, thereby the invention of Facebook. The rubor throughout the movie is an voice of the many cinematic devices that are effective in demonstrating the different societal groups.\r\nAs an individual, the dim discharge on Mark, in contrast to the bright lighting on the others in his group is indicative of Mark being an outsider, even within his own group. Also, the repeating of the word ‘asshole’ in several situations in the film is suggestive of how similar Mark’s character is to Othello’s †he allows himself to be looked down on. Erica Albright, Mark’s ex- girlfriend says at the start of the film, â€Å"…It’ll be because you’re an asshole,” and this is contrasted when Marilyn Derpy, the psychiatric oblige has her final statement at the end of the film, â€Å"You’re not an asshole, Mark.\r\nYou’re just trying so hard to be. ” Albright’s vindictive tone is phonation of how an outsider can be portrayed when he or she is put down by others, go on supported by Derpy’s somewhat openhearted yet wary tone. Mark’s allowance account of being exploited further enhances my knowledge of the concept of the Outsider, especially through the characters that manipulate him the most †the biggest of these being Sean Parker, the founder of Napster and the first president of Facebook.\r\nSean’s character is much similar to Iago’s, as he is as much as an outsider as he is an at heartr. The repetition of ‘ peaceful’ as Sean defiantly says to Mark, â€Å"A million dollars isn’t cool. You know what’s cool? A billion dollars,” shows how using such simplistic socially acceptable terms can trance a person’s decisions, especially characters like Mark, whose insecurities play a massive role in creating the atmosphere of ‘The Outsider’.\r\nMy visual representation is an f usion of the perceptions of the Outsider that I derived from analysis of Othello and The Social Network. use the same template as the given image, I drew the figure and his surroundings on the at bottom of the room in black and white, also gravid prominence to the central figure, outlining ‘him’ in a darker glossiness in contrast to the chair he is sitting on. The eccentricge is looking outside, into a colourful universe, of which I have used many different colour to show the difference between the in spite of appearance world and the outside world.\r\nAs in Othello, colour plays a major role in distinguishing between outsiders and insiders. using colour, I represented the character to be the prominent black and white figure in a black and white environment, but this is merely the ‘inside world’. I have chosen the persona’s gaze to lead the viewer to focus on the colourful outside world, demonstrating the differences between the inside wo rld and the outside world. The individual is recognised as an outsider, not only in his own little world, but in his larger macro world.\r\nTherefore, the conceptualization of ‘The Outsider’ has been enforced through cinematic and literary devices used in the texts Othello by William Shakespeare, through the notions of colour and physical appearances and The Social Network directed by David Fincher, which reiterates how manipulation and downplay of colour and physical appearances can lead to being in a solitary(a) state as an individual. My visual representation incorporates these ideas into a single ideology, evidence of how these texts have enriched my understanding of ‘The Outsider’.\r\n'